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Paul Bril Landschaft mit Sibyllentempel oil painting


Landschaft mit Sibyllentempel
Painting ID::  74170
Paul Bril
Landschaft mit Sibyllentempel
Date 1595 Medium Oil on canvas Dimensions 11 x 17 cm cyf

   
   
     

Paul Bril Self-Portrait oil painting


Self-Portrait
Painting ID::  75010
Paul Bril
Self-Portrait
1595-1600 Oil on canvas 71 x 78 cm cjr

   
   
     

Paul Bril Portrait oil painting


Portrait
Painting ID::  76761
Paul Bril
Portrait
Date 1595-1600 Medium Oil on canvas Dimensions 71 x 78 cm cyf

   
   
     

Paul Bril Coastal Landscape oil painting


Coastal Landscape
Painting ID::  78968
Paul Bril
Coastal Landscape
1596(1596) Medium Oil on copper cyf

   
   
     

Paul Bril Ruins and Figures oil painting


Ruins and Figures
Painting ID::  79160
Paul Bril
Ruins and Figures
ca. 1600(1600) Oil on copper Width: 35 cm (13.8 in). Height: 27 cm (10.6 in). cjr

   
   
     

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     Paul Bril
     Flemish Baroque Era Painter, ca.1554-1626 Paul (1554-1626) and Mattheus (1550-1583) Brill (or Bril) were brothers, both born in Antwerp, who were landscape painters who worked in Rome after earning papal favor. They are also described as painters of capricci (whims or fancies) or vedute ideate or veduta di fantasia, with typical rustic hills with a few ruins. Mattheus began work on several frescoes in Rome from 1570 onwards, and his work includes the Vatican Seasons. Mattheus died young, and his brother continued his work around 1574. Paul painted frescoes such as the landscapes in the Casino Rospigliosi (Rome), and The Roman Forum, which showed this site for what it had become: a slum for squatters and pasture for livestock (so much so that the place was nicknamed Campo Vaccino, or The Cowfield). His masterpiece may be a fresco in the Clementine Hall of the Vatican. Paul also did engravings and small cabinet paintings on copper, some of which are signed with a pair of spectacles (a pun on the French word brilles, spectacles). Some of these were collaborations with Johann Rottenhammer, who according to a dealer letter of 1617 painted the figures in Venice and then sent the plates to Rome for Bril to complete the landscape. He collaborated with his friend Adam Elsheimer, who he both influenced and was influenced by, on one painting (now Chatsworth House)

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     | Jacob Smits | Antonis Mor | Defendente Ferarri |


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